Ebook Critique of the Power of Judgment (The Cambridge Edition of the Works of Immanuel Kant)
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Critique of the Power of Judgment (The Cambridge Edition of the Works of Immanuel Kant)
Ebook Critique of the Power of Judgment (The Cambridge Edition of the Works of Immanuel Kant)
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Book Description
This entirely new translation of Kant's Critique of the Power of Judgment follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume includes: for the first time the indispensable first draft of Kant's introduction to the work; the only English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views.
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Product details
Series: The Cambridge Edition of the Works of Immanuel Kant
Paperback: 476 pages
Publisher: Cambridge University Press; Revised ed. edition (December 3, 2001)
Language: English
ISBN-10: 0521348927
ISBN-13: 978-0521348928
Product Dimensions:
6.1 x 0.9 x 9 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#213,130 in Books (See Top 100 in Books)
Introduction of Kant's CPowerJ holds significant clues to his CpureR, the founding work of modern philosophy, CpowerJ being nearer to the A edition, than to the B. He had revised CPureR-A and produced CPureR-B due to critics charging him with psychologism, a fundamental error on the critics' part. No science can be released from its inherent & implied metaphysics, hence metaphysics must be permitted to spill over into psychology as well as other sciences. E.g., today we might be tempted and say that Kant's noumenal object, the thing by itself apart from becoming a phenomenon, can be identified with the physicists' vacuum and with their quantum foam (Wigner).
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This book, the 'Critique of Judgement', is the third volume in Immanuel Kant's Critique project, which began with 'Critique of Pure Reason' and continued in 'Critique of Practical Reason'. Immanuel Kant (1724-1804) is considered one of the giants of philosophy, of his age or any other. It is largely this book that provides the foundation of this assessment. Whether one loves Kant or hates him (philosophically, that is), one cannot really ignore him; even when one isn't directly dealing with Kantian ideas, chances are great that Kant is made an impact.Kant was a professor of philosophy in the German city of Konigsberg, where he spent his entire life and career. Kant had a very organised and clockwork life - his habits were so regular that it was considered that the people of Konigsberg could set their clocks by his walks. The same regularity was part of his publication history, until 1770, when Kant had a ten-year hiatus in publishing. This was largely because he was working on this book, the 'Critique of Pure Reason'.Kant as a professor of philosophy was familiar with the Rationalists, such as Descartes, who founded the Enlightenment and in many ways started the phenomenon of modern philosophy. He was also familiar with the Empiricist school (John Locke and David Hume are perhaps the best known names in this), which challenged the rationalist framework. Between Leibniz' monads and Hume's development of Empiricism to its logical (and self-destructive) conclusion, coupled with the Romantic ideals typified by Rousseau, the philosophical edifice of the Enlightenment seemed about to topple.This book is divided into two major sections, the Critique of Aesthetic Judgement, and the Critique of Teleological Judgement. In the part on Aesthetics, Kant sets up for possible judgements - agreeable, good, sublime and beautiful. This relates back to the 'Critique of Pure Reason' (and scholar J.H. Bernard indicates that this framework is sometimes a bit of a shackle placed on Kant). Those things that are agreeable are wholly sensory in character, whereas those things that are good are ethical in nature. Kant argues that those things that are beautiful and sublime fall between the two poles of 'agreeable' and 'good'. Beauty is involved in purpose (teleology), whereas sublimity is that which goes beyond comprehension (and can be an object of fear). This also involves an idea of mind that allows for genius and creative activity.In the section on teleology, this is a way of looking at things based on their ends (telos), and links to aesthetics in terms of beauty (which has a sense of finality of form) as well as links to scientific purposes - Kant particularly is concerned to explore biology and the telos of the natural world. This also involves physics and logical principles, bringing Kant full circle back to some of the ideas from the 'Critique of Pure Reason'.This is one of Kant's master works, and while there is much that modern philosophers disagree with, there is also the sense in which no subsequent philosophy can ignore the developments and implications of Kant's Critique project.
The placement of the First Introduction at the beginning of the book is very useful, providing a different feel as to the nature of the work as a whole. The relative of lack of [bracketed] comments compared to the Pluhar edition is also a plus.
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